From SAINT LAURENT to GUCCI, CHANEL to DIOR, these are the designs that will never go out of style.
When it comes to wardrobe investments, there is nothing quite like a great designer handbag. Choose the right one and look after it correctly, and it will be a wardrobe mainstay for the rest of your life. It may even be an item that you pass down through the generations, or something you eventually sell and may even make money on.
With that being said, if you are thinking of splurging on a new designer bag, then it is definitely worth considering a style that will stand the test of time, rather than just a one-season wonder that will eventually end up gathering dust at the back of your wardrobe. For this, the best option is either to look to the classics – some of which may have had a modern makeover, but are still very much trend-free – or to snap up designs that have an endless elegance about them (think timeless colours, seasonless silhouettes and trusty fabrics).
So here, we round up 35 of the best designer handbags which are unlikely to date anytime soon, and will certainly never feel like a regretful purchase.
Many may be names you are already familiar with; forever staples from Chanel, Gucci and Dior, but you will also find new styles from heritage brands, alongside new names to know in the world of designer handbags, in this round-up. These are the accessories that are actually worth investing in, whether you are treating yourself or looking for a very special gift, in the market for an evening bag or are after a tote that’s perfect for the office. These are designer names you can trust.
PRADA Cleo Shoulder Bag takes influence from archival Prada pieces. With its sleek and streamlined appearance, it is not hard to see why it has been such a huge hit with fashion editors and influencers worldwide.
GIVENCHY
GIVENCHY Small Antigona Bag. One of the most exquisitely crafted handbags you will ever find, the attention to detail is unparalleled. Its sleek style effortlessly showcases the undeniable mark of a top-tier handbag.
LOUIS VUITTON
LOUIS VUITTON ‘Alma’ BB 2Way Bag. The style has existed in various forms for more than 120 years and only seems to improve with age.
It’s not difficult to see why DIOR’s Saddle bag remains so popular: the style – which first appeared on the catwalk in 1999, became an it-bag in the Noughties, and has been a staple ever since – is the perfect way to elevate any day or night ensemble.
GUCCI
GUCCI’s Horsebit bag was first released in 1955, and is today one of the house’s most popular styles. This version comes with both a classic leather and a colourful canvas strap, giving you even more versatility.
LOEWE
LOEWE Mini Puzzle Bag comes in a huge variety of colours and sizes. This particular mini version has been expertly crafted using contrasting calfskins which would be a lovely addition to any woman’s wardrobe.
HERMÈS
Now here is a bag that needs no introduction; the HERMÈS Birkin, one of the most famous handbags of all time and one that is usually very difficult to get your hands on.
CELINE
CELINE is a firm favourite for chic accessories, crafted from the most luxurious materials. This CELINE Chain Shoulder Bag Triomphe In Shiny Calfskin is particularly special – a signature style, which is available in number of classic colours.
BALENCIAGA
BALENCIAGA Crush Small Chain Bag style is a new iteration from the house, one which is inspired by the silhouette of its cult City bag. It would make a very chic addition to both your day-to-day and your evening wardrobe.
BOTTEGA VENETA
Another beautiful design from Daniel Lee’s era at Bottega, this Cassette bag has become a real favourite with fashion editors. BOTTEGA VENETA Small Brick Cassette: chic sophistication for carrying essentials.
CHLOÉ
CHLOÉ’s Mini Leather Woody Tote is a great size, and can be worn either crossbody or carried as a top-handled bag. It makes a great, versatile bag for the spring/summer months.
VALENTINO GARAVANI
VALENTINO GARAVANI One Stud Small Bag: Sparkle and Shine with Jeweled Design. he sliding chain strap adds versatility, allowing you to wear the bag on your shoulder. To complete the luxurious look, the front is adorned with the iconic Maxi Stud decoration.
It seems CHANEL bags are harder to get these days.
But at CRISANDCOCO, you can shop everything from vintage pieces to the latest styles from Chanel’s current collection. Yes, all those hard-to-find items your closet craves are available in one ultra-fabulous destination. As convenient as that is, it’s also important to note that with any luxury purchase, it’s a good idea to do your homework.
If you’re anything like us, you’re probably in possession of a working pro and con list, right? Committing hours of research to decide which Chanel Classic Flap to get can not only feel daunting, but it’s quite time-consuming. There is so much to know about the Chanel Classic Flap that it makes total sense for us to create the ultimate guide about it. If this helps even just one person, then mission accomplished!
This guide covers the history, sizes, textiles, colors, hardware, and more. You may learn that maybe a Classic Flap isn’t for you… or you may very well fall more in love with it. At the end of the day, all we want is the perfect bag. And, let’s be real, a Chanel Classic Flap is pretty darn perfect.
So without further ado, shall we skip to the good part? Cue the ultimate Chanel Classic Flap guide. Ready to uncover the perfect Classic Flap for you? Read on or watch the video below!
History of the CHANEL Flap Bag
The history behind (any) product really is what makes something so special. In the case of Chanel, it’s legendary. Chanel is a huge deal, and honoring its history is the center of everything for the French house. The Classic Flap’s iconic status embodies that chic histoire we all can’t get enough of – and in turn, the global demand (and, erm, low supply) undoubtedly perpetuate this style’s growing value.
The Chanel Classic Flap is one of the most important, celebrated, and recognizable handbags in the fashion industry. But before the Classic Flap came about, there was the original. And that bag was? The 2.55. There is so much to love about the 2.55. This bag features the iconic Mademoiselle lock and gorgeous metal chain. She was born in February 1955 (hence the name) and she’s gorgeous. It’s important to note though: this style is not to be confused with the Reissue 2.55 (which looks similar). Reissue bags were introduced under Karl Lagerfeld in 2005 to celebrate the 2.55 style’s 50th birthday. Today, the term Reissue refers to the newer produced 2.55 bags.
Now, back to the topic of the Classic Flap. Although related to the 2.55, when we think of the Classic Flap we all think of something else entirely – and you probably do too. By any chance are you thinking of puffy quilts, CC hardware, and a gorgeous interwoven leather and chain strap? Yes please! These modernized touches were brought to fruition under Karl Lagerfeld in the 80s and have truly changed the game. That’s the moment the signature Classic Flap was born. Also created under Karl Lagerfeld is the iconic Chanel 19.
Due to the Flap’s undying popularity, it also comes as no surprise that the Chanel Flap is highly counterfeited. Explore this authenticity lesson on dissecting fake Chanel and dive into our world-renowned authentication process.
CHANEL Single Flap vs. Double Flap
Since the birth of the Classic Flap, you have probably heard about both Single Flap and Double Flap versions. What do these mean? Simply put, “single” and “double” refer to the number of flaps present on the bag. Let’s distinguish the two.
The CHANEL Single Flap
A lot of vintage flaps have single flaps, but these were discontinued in 2014. Chanel East-West Flaps, discontinued in 2010, are not part of the core classic range. But if you’re seeking a Chanel style with a “classic flap look” (and vintage), then East-West bags are worth looking at!
Today, smaller Chanel Flap sizes have single flaps, which include the Mini Flap sizes. Although these sizes have been viewed as seasonal items coming in different textile and color variations, they are now thought to be considered part of the core range of Flap bags.
The CHANEL Double Flap
Traditionally, both 2.55 bags and Classic Flaps have double flaps (which means one exterior flap and one interior flap). The double flaps are included throughout the core sizes. And those sizes are? Well, keep reading!
CHANEL Flap Sizes
The core Chanel Classic Double Flap collection includes sizes Small, Medium, Jumbo, and Maxi. As mentioned before, the smaller sizes have a single flap and those include the Extra Mini Flap, the Mini Square Flap, the Mini Rectangular Flap, as well as the Mini Top Handle Rectangular Flap.
Which size is right for you? Well, one thing to note is if you’re looking at vintage, you may notice some slight size and design variations compared to the newer styles. Don’t be alarmed, it’s just something to keep in mind due to the age of the bags.
When choosing a size, it comes down to this: what are you going to carry inside it? The Medium size is a top-selling size here and outside of CRISANDCOCO – likely because it’s not too big and it’s not too small. Although, our procurement experts tell us that the Small size is making a huge comeback!
If you want to be able to carry all, and I mean ALL your essentials (maybe you need it for going back to work), then go bigger. The Jumbo or the Maxi can fit a 10”-13” laptop plus other items, and that might be for you. Note: the Maxi is substantially large.
The Extra Mini Flap (the smallest of the bunch) has been discontinued in 2019. If this is a size you want, you won’t be able to get it retail, but we have them! If you prefer a boxier shape with petite proportions, the Mini Square Flap is a great pick. The Mini Rectangular is slightly longer but still embodies that coveted “classic flap” look and they’re really popular now – and incredibly hard to get your hands on, of course.. If you want a mini bag (or one with a top handle), the Mini model is a solid choice! But the smallest bag that you can get that has the signature double flap? That is the Small Double Flap.
CHANEL Textiles, Quilt Types & Iconic Patterns
When dreaming about which material your new darling will possess, it’s beneficial to remember that sizes and styles have textile limitations, so keeping that in mind will help you navigate your choices and get you closer to finding your perfect bag!
What Textiles You Can Expect To Find
When it comes to Chanel textiles, nothing quite tops Caviar – a signature (and quite durable) type of grained calfskin. Besides just adoring the texture with your eyes, with just a small stroke you can immediately feel what makes Caviar leather so distinct from the rest. Nothing else exists in the world like it and Caviar has become synonymous with the embodiment of Chanel and ultra-luxury as a whole. It is the very reason why bags dressed in this material last so long, are high in demand, and of course, carry immense resale value.
Pst! In the event that you’re also looking to add a wallet to the equation, be sure to skim through our in-depth post about wallet style and textile recommendations!
A quick note on Caviar…
Heads up. Chanel discontinued both the Square and Rectangular Mini Flaps in Caviar. If a Mini Caviar Flap is important to you, be sure to browse our curated selection – or if you don’t see what you’re looking for, set up an item alert for one!
But aside from Caviar leather, you can find Chanel Classic Flaps dressed in lambskin, calfskin, and patent leather. All these are truly stunning. On top of that, sometimes you will find unique iterations of the flap style dressed in exotics, such as alligator or lizard skin. Plus you can find these bags in iridescent leather, or perforated lambskin, which are all fun treatments that elevate the design. There are endless options. But just know leather requires care and the more you practice handbag TLC the longer you can enjoy your investment. Proper storage also goes a long way!
CHANEL Flap Quilt Types
Another important detail that often gets overlooked (unless you’re keen on details) is the type of flap quilts. The first type that comes to mind is Chanel’s gorgeous diamond quilting, which is the classic quilt. For those looking for something a little edgier, there are also chevron-quilted flaps that scream bold and fun. You’ll notice more Chanel Boy bags with chevron quilting, but a Classic Flap in chevron is a pretty pick, too.
Additionally, plain flaps with no quilts at all are an option too (part of the Pure line) if you prefer the leather to shine all on its own. But heads up, they’re not as common so if that is something you strongly desire, it may have to look a little extra harder before you find the perfect one you want! Patience is a virtue, my friend.
Other Flap Materials
Erm, and if you think it stopped at leather, it does not! Chanel tweed is an iconic staple and tweed flap bags truly applaud the heritage, feminist roots, and vision that its founder Coco Chanel embraced and embodied throughout her career. Chanel tweed bags come in many notable patterns, such as metallic, herringbone, houndstooth, and more. So it really comes down to what you find attractive and what you want to wear! Explore the patterns available to shop now, and see what speaks to you.
Aside from these mentioned, there is a boatload of materials Chanel uses. Others include denim, PVC, suede (available in many of Chanel’s mini flaps from the current line), velvet, and cotton canvas to name a few. Leave it to Chanel to use nearly every luxury material available to give their iconic handbag so many gorgeous looks!
CHANEL Hardware
Chanel hardware used to be 24k gold, but this kind of hardware was discontinued in 2008. Today Chanel offers a wide variety of hardware options and the most common shades include silver, gold, light gold, and So Black. The release of rose gold plated hardware (introduced for 21B), only comes in lambskin… for now.
Special editions may reveal unique hardware such as gradient hardware, aged gold or silver hardware, ruthenium, enamel, lacquered tone-in-tone hardware from the incognito line, and other interesting finishes. Hardware is like the jewelry to the bag, so it all comes down to the details.
If you know, you know…
Actually, this is the best part… To ensure that you sound like you actually know ultra-luxury fashion, we have to throw this little tidbit here for you. That is, the Chanel Classic Flap is also referred to as 11.12. This new name emerged during Spring 2021 and references the original Flap’s style code, which was A01112.
Also, the unique anatomy of the Double Flap actually serves an unusual but genius purpose. That little zip pocket located at the underside of the outer flap? That pocket is intentional and is made to store your love letters (awe). If I were alive during the gilded age (the Met Gala doesn’t count), maybe I would have love letters from suitors. But in reality, most of us probably have to-do lists or affirmations. Point is, love letters or not, Coco Chanel intentionally designed this pocket so that the bag included an area with room for sentimental tokens. And I’m smitten.
Another pocket with another little secret? A pocket within a pocket. It’s located inside the interior slip pocket and if you’re not sure what it is for it appears as though it’s there to store a pen (maybe you could). But the story behind that seemingly “out of nowhere” pocket is actually quite practical. It’s a pocket made to store your lipstick! Today that means you could store your lipstick, lip balm, lip gloss, and heck maybe a small pen if you so desire.
In a world overtaken by Gucci-sliding Instagram influencers, we now witness the epochal clash of titans – the billionaire class seeking refuge in street credibility.
The glittering sword they chose to wield? LOUIS VUITTON’s spectacular soirée on the Pont Neuf in Paris, where the Seine river practically swirled with jealousy at the opulence above. With Pharrell Williams at the helm, a prodigious musician and an ordained priest of luxury fashion, LOUIS VUITTON has set sail on its voyage to plunder street cred.
Jay-Z, Beyoncé, Rihanna, and others strutted alongside LOUIS VUITTON-branded warhorses, turning the event into something that would make the Great Gatsby himself feel underdressed.
One must appreciate the desperation behind Arnault’s master plan to ship the entire hip-hop Pantheon to Paris. In this breathtaking carnival of excess, Jay-Z, Beyoncé, Rihanna, and others strutted alongside LOUIS VUITTON-branded warhorses, turning the event into something that would make the Great Gatsby himself feel underdressed. The so-called “LOUIS VUITTON Menswear Debut,” as described by The Cut, resembled a Wall Street gala attempting to pass as a Brooklyn block party.
This spectacle, in which Pharrell, the newly appointed creative director, paraded his urban street essence, seemed to whisper to the world, “LV is for Lovers, and the Billionaire next door.” The irony of a man singing “Happy” at an event soaked in the tears of consumers lamenting their credit card bills is awe-inspiring.
A Jeep convertible stacked with luggage driven down the catwalk was perhaps an accidental metaphor for how detached the brand is from reality.
According to Cathy Horyn’s coverage, this men’s fashion show was “confident but without audacity.” When Pharrell quipped, “When you’re chosen, you’ve just got to ride,” he probably didn’t anticipate that he would be riding a Trojan Horse into the realm of fashion. His designs were found to lack novelty and imagination, giving us Damier-checked sportswear and pixelated camouflage patterns. A Jeep convertible stacked with luggage driven down the catwalk was perhaps an accidental metaphor for how detached the brand is from reality. The event resembled a cross between the opening ceremony of the Olympics and an extraterrestrial peace treaty.
You shall lead us to street credibility.” Yes, dear reader, in the billionaire playbook, street cred is a currency more valuable than Bitcoin.
Pharrell’s appointment has, of course, raised eyebrows; his prior experience in fashion amounted to a pair of sunglasses and some Adidas sneakers. Yet the billionaire class behind Louis Vuitton gazed upon Pharrell and proclaimed, “You shall lead us to street credibility.” Yes, dear reader, in the billionaire playbook, street cred is a currency more valuable than Bitcoin.
Now, don’t get me wrong. Pharrell is a master of his craft in the music industry, but serving as the high priest of a luxury cult trying to become a street movement raises questions. And this ‘street movement’ is selling handbags priced like tiny islands.
The clothes seemed an afterthought as the audience was probably too busy Googling “how to become a billionaire overnight” to buy them.
Lauren Cochrane writes in The Guardian that the event was not just a catwalk show; it was “a celebrity showcase, a gig, and a party, with clothes thrown in for good measure.” The clothes seemed an afterthought as the audience was probably too busy Googling “how to become a billionaire overnight” to buy them.
Louis Vuitton’s approach to selling overpriced, mass-manufactured luxury items under the veil of street credibility, employing a grand maestro of the music world, seems akin to a swan performing a breakdance. It’s bewildering, if not mildly entertaining.
As the world of luxury gallops into an era where authenticity is the Holy Grail, let us ask ourselves, do we want to watch the wealthy in snapbacks, or would we rather have art, music, and fashion untainted by the clutches of industrialized excess?
Being drawn to the allure of e-commerce can feel like an endless holiday season, especially when you know which influencers to follow. This was my foray into online shopping, alluringly displayed through YouTube.
These early influencers, talented in their capacity to ramble, soon discovered that fostering a shopping addiction in their followers could lead to a fruitful career. As they grew in popularity, so did their collections, filling entire closets, dressers, and more.
In a way, they set the stage for the modern luxury industrial complex, using their influence to draw followers into purchasing upscale items often beyond their needs.
In 2014, over 50 million people spent an astonishing 1.6 billion minutes watching haul videos. With the emergence of platforms like TikTok, this trend transcended the exclusive world of career influencers, pulling in celebrities and children alike. Larger hauls gained more attention, and our shopping habits and the marketing strategies targeting them grew more extravagant.
The luxury industrial complex feeds off this, capitalizing on perceived scarcity and manipulative designs to coax users into impulsive buying.
While this culture of influencers-turned-luxury promoters grew, brands took notice. It became apparent that showcasing their products on social media turned users into eager online luxury shoppers. This realization led to the intertwining of e-commerce and every corner of the internet. The result? By 2016, 76% of Americans had embraced online shopping, compared to 22% in 2000. The world of online shopping continues to expand, with social-media shopping projected to be worth $1.2 trillion by 2025. The luxury industrial complex feeds off this, capitalizing on perceived scarcity and manipulative designs to coax users into impulsive buying.
We hope our purchases, particularly luxury items, will bring some value to our lives if only a fleeting thrill.
Social media platforms are thus riddled with laments about too much stuff, insufficient funds, and unfulfilled desires. We hope our purchases, particularly luxury items, will bring some value to our lives if only a fleeting thrill. Yet, we often view them as a regrettable waste of our resources.
Today, platforms like TikTok are brimming with haul videos that are as audacious as they are self-aware. The hashtag #shoppingaddiction, boasting over 300 million views, is ironically laden with haul videos, including luxury shopping sprees. Often used humorously, the term “shopping addiction” is used genuinely by many self-identified shopping addicts.
The sheer number of #shoppingaddiction videos, and the prevalent theme of overconsumption in these videos, underscore a critical issue in today’s society. Overconsumption is an uncontrolled coping mechanism commonplace in our world, causing devastating effects on our planet. The U.N. attributes the triple planetary crises of climate change, biodiversity loss, and pollution, in part, to overconsumption.
We’re nudged to improve ourselves continually, portray a better image, and purchase the correct luxury goods to ascend to a more desirable self.
Social media and shopping are intertwined, shaping our identities. We’re nudged to improve ourselves continually, portray a better image, and purchase the correct luxury goods to ascend to a more desirable self. The rise of the luxury industrial complex amplifies this, encouraging us to buy more than we need and often more than we can use.
This cycle is perpetuated by the integration of shopping and commerce into social media platforms, which, in turn, catalyzes overconsumption. Despite this, Americans are finding themselves with less disposable income. This situation has given rise to cultures such as ‘dupe’ culture and a thriving second-hand luxury market, which underscore the desire to make every dollar count.
As social media platforms continue to promote consumerism, we risk becoming a society increasingly driven by the illusion of luxury.
Unchecked shopping addictions and the increasingly pervasive luxury industrial complex have created a concerning cycle. As social media platforms continue to promote consumerism, we risk becoming a society increasingly driven by the illusion of luxury.
The Holy Grail of handbags is the Birkin from HERMÈS. After all, it is worn daily by its namesake and travels everywhere.
What makes Birkin’s HERMÈS Birkin truly exceptional, though, is the condition it’s in—which is to say, not much of a condition at all: Stickers from her adventures are unceremoniously slapped onto the leather; the exterior’s roughed up; talismans hang from the handle.
A Birkin bag is a perfect rain hat; just put everything else in a plastic bag” is only the first.
Birkin, however, has owned only four Birkins since Jean-Louis Dumas named it after her in 1984. (She’s donated the last two to charity auctions as well.) She is a religious wearer—so much so that the bag sometimes serves as an extension of her physical self. One rainy afternoon in Paris, just before hopping in a taxi, Birkin rang up Vogue with her thoughts on her sartorial legacy. “A Birkin bag is a perfect rain hat; just put everything else in a plastic bag” is only the first.
On personalization: “There’s no fun in a bag if it’s not kicked around so that it looks as if the cat’s been sitting on it—and it usually has. The cat may even be in it! I always put on stickers and beads and worry beads. You can get them from Greece, Israel, Palestine—anywhere in the world. I always hang things on my bags because I don’t like them looking like everyone else’s.”
I hate changing bags, so I never have the thing of having ten bags.
On restraint: “I never have more than one bag at a time. I think one is already quite enough. Also, I hate changing bags, so I never have the thing of having ten bags. Any bag with me will take the same course as mine. It will take the same airplanes, be squashed in the same way, and be used as a cushion in the airports.”
On the Birkin she’s carrying now: “It’s black, but it’s not dirty enough, and it hasn’t gotten any stickers on it. It’s rather bumpy than the other one, but the surface will soon get scratched about.”
What she carries in her Birkin: “I’ve got my agenda, my phone, photos of all the children [daughters Kate Barry, Charlotte Gainsbourg, and Lou Doillon], and my makeup, which is all upside down. It’s the nice mess that I always like.”
But if people want to go for the real thing, fine. If they go for copies, that’s fine too. I don’t think it matters.”
On the popularity of the Birkin—both real and fake: “It’s very nice that everyone’s got one or wants one. I keep saying to Hermès to make it out of plastic or, even more fun, make it out of cardboard. Then it wouldn’t be so heavy. But if people want to go for the real thing, fine. If they go for copies, that’s fine too. I don’t think it matters.”
On handing them down: “My daughter Lou does not have one. I think it would be a horrible thing to have a Birkin bag from your mother.”